A studio service
A coloring book illustrator, on tap.
Line-art sets for publishers — 20 to 40 pages per project, drawn to one consistent hand, delivered KDP-ready at 8.5×8.5 and 300 DPI with full commercial rights. Cute, cozy, and built to be coloured in.
One hand across forty pages.
N° 01The problem
Forty pages, one hand.
Anyone can draw one good coloring page. The difficulty is the fortieth — still the same line weight, still the same eye shape, still the same amount of air around the subject, drawn six weeks after the first one and looking like it came from the same person on the same afternoon.
That consistency is what a reader feels without naming it, and what a reviewer notices immediately when it slips. It is also the thing that quietly breaks when a publisher hires a different freelancer for every project, or a marketplace seller sends back forty pages at forty different levels of detail.
We work in sets. A style is agreed once, written down as a spec, and every page in the project is drawn against it.
N° 02How it works
From brief to print-ready.
Nothing is drawn at volume until you have signed off on how it should look. That single rule removes the argument that usually happens at page thirty.
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N° 03What you get
Files that go straight to KDP.
We publish our own titles on Amazon, so these files are prepared the way we prepare our own: the preflight gate that checks our books checks yours.
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N° 04Themes
Cute and cozy is our home ground.
Anthropomorphic animals in warm domestic scenes — kitchens, fires, gardens, market stalls, reading nooks — is the register we draw best, and it sells across the widest age band: gentle enough for children, detailed enough that adults and teenagers actually want to colour it.
Themes change from project to project and that is expected. Seasonal sets, cottagecore, garden and allotment, tea and baking, woodland neighbours, cosy Christmas — the theme moves, the hand stays the same.
N° 05Peek inside
Sample pages
Two pages from a cozy-animal set — same hand, same line weight, different rooms.
N° 06Questions
The answers we give most often.
- Can you match a style I already use?
- Usually, yes — send a few existing pages and we'll draw one sample against them before anything else is agreed. If we can't get close enough to be worth your money, we'll say so rather than take the project and hope.
- How long does a set of 40 take?
- Roughly two to three weeks once the samples are approved, delivered in batches rather than all at the end. Faster is possible on a rush schedule; slower is possible if you'd rather review carefully as you go.
- Do I own the illustrations?
- Yes. On final payment you own the delivered artwork outright for commercial use — publish it, sell it, reprint it, translate it. There is no per-copy licence and no royalty. We keep only the right to show a few pages in our portfolio, and we'll skip even that if you'd rather we didn't.
- Do you work with AI?
- We use AI in our own studio pipeline for ideation and rough exploration, under tight art direction, and we say so plainly. If your project requires artwork drawn entirely by hand with no AI step anywhere, tell us at the brief stage — we'll confirm honestly whether we're the right studio for it rather than discover the conflict at delivery.
- Can this be an ongoing arrangement?
- That's the arrangement we prefer. Publishers who release regularly get a reserved slot in the schedule, and after the first project the style spec already exists — which makes every set after it faster and more consistent than the first.
Start your book
Send us a theme and a page count.
We'll come back with two sample pages, a fixed quote for the set, and a delivery date. If it isn't a fit, we'll tell you that instead.